Okkre (formerly of LCC) compiles an intensely hypnotic, rhythmic and spiritual mix encompassing unique field recordings of different cultures and religions.
Author Paulius Ilius
One half of enigmatic techno duo Shxcxchcxsh, Sstrom weaves a futuristic narrative of diverse rhythms, dense atmospheres and cinematic techno.
Bérangère Maximin’s latest mix puts us on a cinematic trip of minimal, acousmatic, and concrete pieces merged with sound poetry and ambience.
Modular wizard Drew McDowall, formerly of Coil, weaves a dense and immersive tapestry using works of present day experimental music artists.
Alexander Tucker of Grumbling Fur and Imbogodom weaves a trippy and adventurous mix, combining experimental composition and inventive songwriting
From the bright brilliance of Klara Lewis to the punkish synth expressiveness of group A, Berlin Atonal 2018 was a diverse, adventurous, yet coherent experience.
Berlin’s A L’ARME festival gave sonic adventures ranging from the alien playfulness of Maja S.K. Ratkje to the empowering world jazz of Laurie Anderson’s band.
Mieko Suzuki crafts a stunning mix using records that range from cloudy ambience to industrialised techno and including some of her own field recordings.
Berlin Atonal 2018 surprises with an adventurous and exciting lineup, full of diverse genres ranging from adventurous new age to industrial.
The legendary post-punk/industrial trio, Ike Yard, compiles a mix that floats like a passing storm and includes two unreleased tracks from their upcoming LP.
Before his EP on Ostgut Ton, Phase Fatale drops a skillfully mixed, dark and groovy set with cuts ranging from dark italo to 80’s EBM and goth rock.
Celldöd (aka Anders Karlsson) explores various manifestations of punk within the borders of EBM, punk rock, new wave and minimal synth.