Monica Hits The Ground maps an uneasy balance between melancholy and consolation. Eighteen industrial and experimental recordings—from Laibach and Lull to Af Ursin and Ramleh—form an intimate soundtrack for solitary, arduous nights.
“SsSsSsSsSsSsSsSsSsSsSsSsSsSsSs” is the emotionally powerful new album from SHXCXCHCXSH - a step forward in terms of experimentation.
Infrastructure’s “Facticity” sets the foundations for the promising and eclectic future of this iconic techno and beyond label.
Broken Bone open a three-hour wormhole through industrial music, noise, IDM and techno. Daz Quayle and Tony “Bone” Snowden make contrast central to the journey, moving between light and darkness with a selection of artists from Autechre and Mira Calix to Pharmakon and Sendai.
MusicforEggplant condense a year of research into Dante’s Inferno into HELLGGPLAN, a dense hour of cut-ups, samples and their own recordings.
Reinventor of Industrial-techno Shapednoise’s new mind-blowing LP “Different Selves” on Type Recordings once again proves that he knows no musical limits.
A heavily galvanized debut album “Heterodyne” by Arash Moori on Type Recordings unlocks the gates to a personal dark world of deeply convulsing drony sounds.
Klara Lewis on collecting everyday sounds, shaping emotional worlds and her first years with Editions Mego. The original 2015 conversation, with a separate introduction and afterword by Justinas Mikulskis from September 2026.
Berlin’s heart beats again to the rhythm of Atonal, the festival where visuals, sound and space merge in a communion between artists and the crowd.
Alessio Natalizia on Italy’s electronic heritage, the memories inside Voices and the emotional life of a recording. A 2015 conversation with Armando Valdés and Paulius Ilevičius.
“AnD Rmx 01 & 02” are a set of truly insane remixes by some very influential artists. Techno in the truest sense.
Six perspectives on remixing AnD: technique, repetition, friendly competition and what makes a rhythm last. Black Rain, Speedy J, JK Flesh and O/H join AnD in the original 2015 conversation.
