Dadub — Post-Apocalyptic Dub
Daniele Antezza and Marco Donnarumma on Dadub’s new life: improvised dub, resistance, the limits of control and listening through the body.

Daniele Antezza and Marco Donnarumma on Dadub’s new life: improvised dub, resistance, the limits of control and listening through the body.
Jung An Tagen builds an intricate electronic world from computer music, musique concrète and fringe techno, connecting microscopic details and broken rhythms before drawing the selection towards the dancefloor.
Emil Amos and Alex Hall of Grails weave older outsider sounds and contemporary discoveries into a tender, retro-futuristic collage of ambient music, art rock and private musical worlds.
Sote reshapes two decades of his own compositions into Enhanced Iranian Traditional Soundscapes and Mutant Persian Folk Music, joining Persian acoustic instruments with intricate electronic synthesis.
Secret Thirteen documentary video about the hopes for a DIY Cultural Centre - an open space of outsider artists in a beautifully industrial part of Vilnius.
Hiro Kone assembles a boundless mix of subtle abstractions, post-punk mutations and classical daydreams, drawing emotional connections between concise fragments and a collaboration with Drew McDowall.
Travis Just of experimental opera group Object Collection explores impulsive creativity and the human voice, combining interviews, rehearsals, live fragments and songs into an unpredictable, deeply human collage.
Recorded with an Octatrack in the woods of Antakalnis, Jaroška’s deeply personal collage joins 1990s noise, musique concrète and his own field recordings in a continuous, disorienting stream.
Blush Response maps a nocturnal city through industrial music, EBM and unsettling electronics, drawing links between formative influences and his own Infinite Density material.
John Hodgson revisits four decades of restless invention in Life After Death, connecting Basczax, Fast Cakes and his other projects through eccentric songs, punk energy and electronic experiments.
Rhys Fulber moves beyond familiar industrial territory into ambient space, choral music and raw electronic rhythm, joining personal influences with the machines and melodies that shaped his work.
Mick Harris builds Head Stew from musique concrète, noise, dub and unruly fragments, revealing the obsessive listening and precise instinct behind his densely layered musical world.