Autumns traces an all-vinyl path from grainy shoegaze and ornate post-punk towards industrial isolation. Medicine, The Associates, DAF and Cabaret Voltaire meet Christian Donaghey’s own anxious electronics across fifteen deliberately contrasting selections.
Silk Saw assemble a raw, restless collage of thirty-four recordings. Scelsi’s strings, Sunn O)))’s drones, musique concrète and industrial noise collide in a nearly two-hour selection shaped by the Belgian duo’s unorthodox imagination.
James Welburn shares a musical diary of artists he met on his travels. Twenty-four expansive pieces move through drone, industrial noise, folk and heavy rock, giving each recording the space to unfold and its emotions time to register.
Justin K. Broadrick takes twelve of his own tracks apart in a semi-live session of industrial weight, slowed rhythms and dub pressure. Live machines and remixed stems expose the unstable, narcotic underside of JK Flesh.
Bestial Mouths rebuild minimal and dub techno with field recordings, unreleased studio fragments and Lynette Cerezo’s voice, recorded for this session. Twenty-six selections become a sparse, grim ritual where industrial textures and human vulnerability collide.
Jake Meginsky connects footwork, electronic minimalism and eccentric studio experiments in a deeply personal selection. Twenty-five tracks move between RP Boo, Container, Andrew Pekler and Raymond Scott, with added 808s and blends extending the conversation.
Shadows, the duo of Andrew Bowen and Dimitri Poumplidis, explore the slower, psychedelic territory beyond AnD. Seventy-three minutes of crushing beats, power electronics and raw industrial textures connect their own material with Mika Vainio, Puce Mary and Wolf Eyes.
Brandon Rosenbluth on the artists, networks and ideas shaping Portals Editions. The original 2016 conversation accompanies a thirteen-track selection from the label.
FOR. place their own industrial experiments among the raw electronics of Varg, Damien Dubrovnik and Orphx. A slow accumulation of machine hum, power electronics and relentless techno gives way to a reflective closing piece by Ábris Gryllus.
Cull of the Useless Eaters returns to the restless energy of 1990s UK electronics. House, breakbeat and hardcore classics meet Gareth Cox’s own productions, political speech fragments and newer bass-heavy records in a dark, nostalgic but sharply focused mix.
Paul Jebanasam steps away from Continuum’s internal system to experiment with discontinuity and collage. Ambient pieces, electroacoustic fragments, the Akira soundtrack and Walt Whitman form a dreamlike sketchbook where the differences between sounds become their own connective logic.
BlackBlackGold draws together deconstructed club music, industrial pressure and gothic unease in a volatile selection that connects radical dance-floor forms with older darkness.
