Secret Thirteen Mix 198

Bestial Mouths

The World Went Black

Bestial Mouths rebuild minimal and dub techno with field recordings, unreleased studio fragments and Lynette Cerezo’s voice, recorded for this session. Twenty-six selections become a sparse, grim ritual where industrial textures and human vulnerability collide.

Listen to the mix
Secret Thirteen Mix 198 cover — Bestial Mouths
  • Exclusive vocals by Lynette Cerezo
  • Field recordings over dub and minimal techno
Listen to the mixSTM 198 / Bestial Mouths

Bestial Mouths is a project that fuses elements of goth, post-punk, EBM, and industrial aesthetics to create extremely abrasive and emotional music. The haunted howls of vocalist Lynette Cerezo have frequently been compared to the likes of Diamanda Galás or Siouxsie Sioux. At the time of this recording (2016), the band was undergoing a significant evolution following the release of their album Heartless on Cleopatra Records. Despite the rich history of the musical territory the band inhabits, Bestial Mouths has always maintained a modern edge—whether through the industrial structures of their earlier work or the gothic dancefloor frenzy that followed. The sound is often described as “hammering percussion and industrialized synthetics wrapped in the lyrics of euphoric dread.”

Following a European tour and Lynette’s relocation to Berlin—the capital of techno—the project entered a transformative phase. This mix serves as a snapshot of that specific era, hinting at the darker, electronic direction the project was heading towards.

In the records

Bestial Mouths — Heartless release artwork
Bestial MouthsHeartless Cleopatra Records
2016
Release page
Raime — Raime EP release artwork
RaimeRaime EP Blackest Ever Black
2010
07
Release page
Raime — Tooth release artwork
RaimeTooth Blackest Ever Black
2016
17
Release page
The Body — No One Deserves Happiness release artwork
The BodyNo One Deserves Happiness Thrill Jockey
2016
24
Release page

STM 198 is a unique document. Bestial Mouths approached this almost as a mixtape in the hip-hop sense: many tracks are not merely mixed but rebuilt using field recordings, samples of unreleased studio material, and, most importantly, Lynette’s vocals recorded exclusively for this session. The result is unexpected: while the core selection leans toward minimal and dub techno (Substance, Sleeparchive, Samuli Kemppi), the added live vocals turn these tracks into ritualistic, skeletal frames for Lynette’s incantations. It is a sparse, grim recording where layers of dirt are shoveled on top of a constant, creeping rhythm.

The mix resonates with Abstract Expressionism, particularly the dark, textured work of Roger Weik (specifically his piece “Ping”). Just as Weik’s work uses heavy textures to express depth, this mix functions as a sonic filter—organic, raw, and seemingly created by a natural process rather than sheer will. It captures a moment of fragility and power, where unexpected industrial patterns merge with human emotion to create a void where the listener can truly get lost.

Sources and image credits

Privacy settings

Read, save and explore with necessary storage only. Optional choices are yours, and you can change them at any time.

Saved

Nothing saved yet.

Use the bookmark on any mix or article to keep it here for later.

Saved in your browser.

Restore & settings

Optional: keep a copy on our server for one year. Keep the private recovery link to retrieve it.

Anyone with your recovery link can retrieve or change the server copy. Keep it private. Server copies are snapshots, updated when you choose.

Optional. A random browser code helps us count how many browsers save articles. It does not identify you or send your list. Switch it off whenever you like. Browser privacy signals are respected.

Copy link

Copy this address from the field below.