Sound as research, selection and a living archive.
01 / PortraitIceland, 2017
OriginPanevėžys, Lithuania
PracticeSound / Curation / Visual art
ArchiveSecret Thirteen / Since 2010
Publications252
01 / Biography
Sound as archive, matter and memory.
DJ S13 is the artistic identity of Justinas Mikulskis (b. 1986), founder and editor of Secret Thirteen, an independent music journal established in 2010. His work as a DJ, sound artist and curator operates between audio archaeology, journalism and visual art.
01
Origins & atmosphere
The sonic identity of S13 was formed in the post-industrial landscape of Panevėžys. Brutalist factories, material decay and the quiet pressure of a post-Soviet city sharpened an early sensitivity to texture and darker sound. At ten, with help from his engineer grandfather, he constructed his first DJ mixer. An uncle’s record collection — black metal, punk and 1970s rock — opened a route toward anarchism, philosophy, science fiction and a life built outside conventional cultural structures.
02
The evolution of sound
Early roots in jungle and drum’n’bass, including productions for Liquid V and Vampire, quickly expanded into a more abstract language. S13 sets move between industrial rhythm, ethnographic field recordings, new wave, drone and academic composition. Each performance is treated as research: material is not repeated, but reorganised into a new narrative of pressure, space and time.
03
Performance & curation
S13 has appeared at Berlin Atonal, Arma17, Norbergfestival and Unsound events, sharing programmes with Mika Vainio, Esplendor Geométrico, Demdike Stare, The Soft Moon and Fennesz. Mix commissions include Electronic Explorations, Headphone Commute, Seek Sick Sound, Cashmere Radio and other independent platforms.
04
Across disciplines
Mikulskis approaches sound as both a physical and visual entity. His wider practice includes abstract industrial assemblages made from metal waste, lectures on musical narrative and industry context, and sonic installations such as The Energy System of the Užutrakis Manor Orangery as a Sonic Negative. He continues to build Secret Thirteen as a durable resource for future listeners.
02 / On stage
In the room.
Performance footage and selected posters from the archive.
Audra Festival / Kaunas, 2022Photo by Vytenis Sidabras
Digital Tsunami / rotating frameSūpynės Festival / filmed performance, 2019
Berlin Atonal / 2014Holotone Showcase / Berlin, 2016Space Love / Arma17, 2014Polar Inertia / KablysUMBRA / Kablys, 2014Undogmatisch / Berlin, 2015Audra Festival / 2022Sūpynės Festival / 2019Digital Tsunami Camp / 2022
03 / Personal archive
External transmissions
Documented mixes and radio shows, 2008—2024. Recent recordings open a listening page; earlier recordings remain in the original download archive.
Justinas Mikulskis as a guest: conversations about making music, listening and building Secret Thirteen. DJ sets and his own editorial work are archived separately.
Techno meets pop, hip-hop and early influences in a tightly layered selection, where reworked tracks and shifting percussion draw connections across music made for very different listening spaces.
An intimate early-morning selection draws on food, desire and mysticism, moving patiently from film music and fragile electronics into ritual rhythms, psychedelia and the darker edges of memory.
Personal landmarks from jazz, blues and heavy guitars meet dub and contemporary electronics, with unreleased loops threaded through a radio-like sequence shaped by contrasting moods and memories.
Early electronic composition, vocal experiments and abrasive microsound converge in a patient collage, where tense textures and fragments of field recordings unfold as one sustained, shifting work.
Pioneering electronics and contemporary experiments are reworked in real time, forming a dense collage of cinematic atmospheres, unstable textures and melodies that connect distant musical eras.
Dub, film scores, jazz and expressive voices reveal a private listening world, tracing the space between notes through formative influences and discoveries that reach beyond dark ambient.
Funk, dub and early electronics meet in an intuitive selection of personal favourites, where fluid rhythms and vintage samples reveal unexpected connections across decades of recorded sound.
A restless collage brings electronic pioneers into conversation with rock, reggae and unreleased performances, reshaping familiar records through sampled fragments, effects and unexpected collisions.
A century of sonic experiments unfolds through dub, ambient and fractured rhythm, transformed by an analogue feedback system into a layered passage between formless sound and physical momentum.
Bryan Levine on the artists, independent work and changing audience of Kill Shaman Records. The original 2013 interview accompanies a twenty-track selection.
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