Sound as research, selection and a living archive.
01 / PortraitIceland, 2017
OriginPanevėžys, Lithuania
PracticeSound / Curation / Visual art
ArchiveSecret Thirteen / Since 2010
Publications252
01 / Biography
Sound as archive, matter and memory.
DJ S13 is the artistic identity of Justinas Mikulskis (b. 1986), founder and editor of Secret Thirteen, an independent music journal established in 2010. His work as a DJ, sound artist and curator operates between audio archaeology, journalism and visual art.
01
Origins & atmosphere
The sonic identity of S13 was formed in the post-industrial landscape of Panevėžys. Brutalist factories, material decay and the quiet pressure of a post-Soviet city sharpened an early sensitivity to texture and darker sound. At ten, with help from his engineer grandfather, he constructed his first DJ mixer. An uncle’s record collection — black metal, punk and 1970s rock — opened a route toward anarchism, philosophy, science fiction and a life built outside conventional cultural structures.
02
The evolution of sound
Early roots in jungle and drum’n’bass, including productions for Liquid V and Vampire, quickly expanded into a more abstract language. S13 sets move between industrial rhythm, ethnographic field recordings, new wave, drone and academic composition. Each performance is treated as research: material is not repeated, but reorganised into a new narrative of pressure, space and time.
03
Performance & curation
S13 has appeared at Berlin Atonal, Arma17, Norbergfestival and Unsound events, sharing programmes with Mika Vainio, Esplendor Geométrico, Demdike Stare, The Soft Moon and Fennesz. Mix commissions include Electronic Explorations, Headphone Commute, Seek Sick Sound, Cashmere Radio and other independent platforms.
04
Across disciplines
Mikulskis approaches sound as both a physical and visual entity. His wider practice includes abstract industrial assemblages made from metal waste, lectures on musical narrative and industry context, and sonic installations such as The Energy System of the Užutrakis Manor Orangery as a Sonic Negative. He continues to build Secret Thirteen as a durable resource for future listeners.
02 / On stage
In the room.
Performance footage and selected posters from the archive.
Audra Festival / Kaunas, 2022Photo by Vytenis Sidabras
Digital Tsunami / rotating frameSūpynės Festival / filmed performance, 2019
Berlin Atonal / 2014Holotone Showcase / Berlin, 2016Space Love / Arma17, 2014Polar Inertia / KablysUMBRA / Kablys, 2014Undogmatisch / Berlin, 2015Audra Festival / 2022Sūpynės Festival / 2019Digital Tsunami Camp / 2022
03 / Personal archive
External transmissions
Documented mixes and radio shows, 2008—2024. Recent recordings open a listening page; earlier recordings remain in the original download archive.
Justinas Mikulskis as a guest: conversations about making music, listening and building Secret Thirteen. DJ sets and his own editorial work are archived separately.
O Yuki Conjugate’s Hallucinations Mix draws on Melanie Smith’s films of South and Central American jungles, bringing organic sounds and electronics together in a warm, disorienting journey.
Sigillum S maps the contrasts behind its industrial sound: Dizzy Gillespie frames a passage through harsh noise, airy ambience, electroacoustic experiments and the melancholy of Bing & Ruth.
Eartaker draws a line between Japanese experimental sound and the depths of death and doom metal, bringing musique concrète, noise and Goth-Trad’s early work into abrasive proximity.
CoH offers warmth for the darkest nights, allowing jazz, Indian classical music and intimate electronics to drift together in a quiet selection that includes his friend Mika Vainio.
Koray Kantarcıoğlu explores the Turkish experimental underground through tape loops, hazy electronics and unreleased work, revealing the scene’s close connections and quietly distinctive textures.
Paulie Jan takes the long route through ambient, musique concrète and experimental electronics, shaping more than two hours of music into an intricate, slowly unfolding journey.
Sorrowing Christ brings Kali Malone and A.M. Rehm’s worlds together in a stark passage through noise, metal and experimental electronics, moving between raw intensity and hypnotic restraint.
Twenty-nine broadcasts from Cashmere Radio, originally hosted by Ilius and Švenčionis and continued by Ilius and guests. Experimental electronics, post-punk, industrial and ambient, 2018–2022.
![HP [Haswell & Powell]](https://secretthirteen.org/wp-content/uploads/2026/10/s13-event-20261008-18601-s13-feature-v1-5827104ff3f6-1200.webp)
