Berlin Atonal 2018 In Review
From the bright brilliance of Klara Lewis to the punkish synth expressiveness of group A, Berlin Atonal 2018 was a diverse, adventurous, yet coherent experience.
From the bright brilliance of Klara Lewis to the punkish synth expressiveness of group A, Berlin Atonal 2018 was a diverse, adventurous, yet coherent experience.
A mix of fascinating old and upcoming material from the Far Eastern platform Chinabot, and an in-depth interview with label founder Saphy Vong aka Lafidki.
A conceptual and personal collage of ‘90s noise, musique concrète and other sonic abstractions from the Lithuanian Deividas Jaroška, a.k.a. Blackwing.
In a rare interview SHXCXCHCXSH shed some light on the backstage behind their textured, atmospheric techno sounds, and their relation with anonymity.
Taking place in the beautiful capital city of Latvia, Skaņu Mežs 2017 brings some top-notch experimental names for versatile music lovers and sonic explorers.
Dan Hayhurst of Sculpture crafted a mix ranging from early electronic mavericks to jazz and psych and reminding the duo’s playfully psychedelic works.
Techno and minimalist percussions animate an imaginable alien tribal world on this odd recording from the Lithuanian artist Patricia Kokett.
Tom Ellard of Severed Heads shares some forward thinking ideas on sound design possibilities, the regressive cultural environment, Australia and other things.
Despite increasing unrest in our surroundings, Unsound 2016 gave a powerful statement on the beauty and importance of cultural cooperation.
Unsound 2016 with its “Dislocation” theme will offer some exceptional intercultural experiences and lots of diverse sounds ranging from drone to PC music.
A diverse, glitchy and radical computer-music mix by Mesmeon, revolving around digital synthesis and Florian Hecker’s legendary label Falsch.
Alessandro Cortini sheds some light on his intriguing soundscapes, the importance of technology, and lessons learned while performing with Nine Inch Nails.