Essential Guidelines for Writing a Friendly Promo Letter
Establishing good communication between underground media outlets and up-and-coming artists is not always an easy task. Secret Thirteen identified essential points for making things smoother.
Records and live performances considered through close listening and independent criticism.
Establishing good communication between underground media outlets and up-and-coming artists is not always an easy task. Secret Thirteen identified essential points for making things smoother.
Berlin Atonal returns to Kraftwerk with world premieres, audiovisual performances and spatial sound installations, spanning electronic music’s pioneering and contemporary generations.
A look back at Unsound 2013 and ahead to the 2014 edition, bringing experimental performances, installations and unexpected encounters into Kraków’s historic spaces.
Jesse Osborne-Lanthier gathers intimate live recordings from 2011–2013, preserving their tension and improvisational detail.
Valerio Tricoli’s Miseri Lares unfolds as a haunted house of psychological drama and musique concrète.
LCC’s debut for Editions Mego balances fractured electronic structures with spacious, immersive sound.
Roberto Crippa’s Reverse explores physical sound, abrasive texture and an uneasy sense of space.
Peder Mannerfelt traces the relationship between human feeling, electronics and acoustic detail.
Drøp’s Vasundhara combines organic textures, intricate electronic rhythm and a remix by Dadub.
Blitzkrieg Baby’s Kids’ World brings black humour, cinematic tension and industrial unease to Beläten.
A reconsideration of Evol’s Proper Headshrinker: repetition, rave synthesis and psychoactive sound.
Plebeian Grandstand’s Lowgazers channels intensity through dissonant, tightly controlled extreme music.