Late spring mixes by S13 and Ilius
Two spring selections from S13 and Ilius: synth obscurities for SeekSickSound and a daydream for Orecast.

Two spring selections from S13 and Ilius: synth obscurities for SeekSickSound and a daydream for Orecast.
Coldwave intimacy meets the emotional pull of pop, as Cult Club and Petroleum By-Product sit alongside Propaganda, Hard Corps and the Pet Shop Boys in a dialogue between influences and new work.
A beautiful and enchanting selection by Xeno & Oaklander, compiled of diverse pieces ranging from renaissance music to 80’s underground wave experiments.
Review of a debut album by Qual, the side project of Lebanon Hanover's William Maybelline.
Saverio Evangelista on electronic primitivism, rhythmic force and making music without a manifesto. A conversation about Ultraphoon, machines and the intuition behind Esplendor Geométrico.
An exclusive mix by Galakthorrö’s Te/DIS fusing project’s early influences from the 80’s industrial/synth scene.
The mix by Futurisk’s Jeremy Kolosine is a colorful audio journey across the band’s exclusive material and influences.
Pierre Bastien on building a mechanical orchestra, playing with found objects and the literature behind his music. A 2015 conversation about simple machines, invention and the pleasure of discovery.
Minimalist landmarks, obscure post-punk and baroque lute music trace a composer's private listening history, with personal notes on the records and encounters that shaped it.
David Foster's Containment Facility traces the industrial roots of atmospheric techno, setting raw noise and altered Clock DVA against the spacious pull of The Wipe and Neu!.
A personal journey through Unsound 2014 and the layered spaces of Kraków, tracing the festival’s most memorable performances through the logic of dreams.
Margaret Chardiet on Bestial Burden, the body and the direct encounter with an audience. A conversation at Unsound 2014 about finding a language in noise.