Stine Janvin Motland brings classical music, experimental electronics, political poetry and pop into a challenging reflection on race and collective identity. Muhammad Ali, Amiri Baraka, M.I.A. and Kendrick Lamar appear alongside intimate sounds and fractured rhythms.
An extensive account of Berlin Atonal 2016, tracing the drones, pulsations and spatial encounters that filled Kraftwerk over five nights.
The artist behind Croatian Amor on love, Copenhagen and the strange closeness a piece of music can create. The original 2016 conversation, with a separate introduction and afterword by Justinas Mikulskis from 2026.
Nite Fields’ Danny Venzin traces underground music from Russia, Ukraine and Georgia, moving between post-punk, nocturnal electronics and folk. Fifteen recordings reveal a distinctive, introverted landscape shaped by local traditions and unexpected encounters.
Internazionale traces the many influences behind Mikkel Valentin Dunkerley’s crystalline ambient world. Fifteen selections move between Gabriel Fauré, Danish lo-fi electronics, acid and trance, held together by the bittersweet feeling of a city after the party.
Dalhous merge cult film soundtracks with Bernard Parmegiani, Alvin Lucier and Harold Budd in a quietly unsettling selection. Twenty-four pieces move through cinematic ambience, claustrophobic drones and brief flashes of light, like a long dream approaching a nightmare.
Unsound 2016 with its “Dislocation” theme will offer some exceptional intercultural experiences and lots of diverse sounds ranging from drone to PC music.
Massimo Carozzi builds Sillon Fermé entirely from locked grooves, mixing tiny vinyl loops into a fluid, hypnotic composition. Two turntables and later overdubs connect radiophonic bleeps, jazz fragments and ambient drones through the physical unpredictability of the records.
Drummer, electronic musician and shepherd Andi Stecher connects the city with the wilderness. Alpine field recordings, Bolivian folk and music from Burundi meet experimental electronics in a warm, wide-ranging selection that closes with his own Tödi.
Dalhous continues their beautiful psycho-sonic ambient explorations in the first instalment of their new trilogy released on Blackest Ever Black.
December follows the emotional arc of Stephen Dwoskin’s film Behindert, mixing while watching it unfold. Gigi Masin, Grouper, Cremation Lily and Pascal Comelade shape a circular narrative of love, anxiety and nostalgia, suspended between luminous ambience and industrial tension.
Broken English Club threads industrial rhythms, post-punk tension and urban surrealism through a raw sixty-five-minute selection. Oliver Ho’s own projects and unreleased Death & Leisure material meet Pharmakon, Samuel Kerridge, Demdike Stare and Ayshay.
