Nate Young — Silence Makes Noise Matter
The Wolf Eyes founder on scoring In the Shadow of Death, preparing for Skaņu Mežs and composing with silence. A 2013 view of noise, performance, analogue instruments and the underground.
Publications archive
133–141 of 141 publications 
Mannequin Records
Alessandro Adriani on Rome, Berlin, rediscovery and the musical direction of Mannequin Records. The original 2013 interview comes with a fourteen-track label mix.
The Soft Moon — Self-Discovery in the Dark
Luis Vasquez on Zeros, recurring nightmares, percussion and the private impulse behind The Soft Moon. A 2013 conversation that connects the bedroom, the stage and the visual world of his records.
James Blackshaw — Love Is the Plan
The guitarist on Love Is the Plan, the Plan Is Death, moving to Hastings and the intimacy of an instrument. James Blackshaw considers musical structure, feeling and the arrival of a voice.
Lebanon Hanover — In Search of Real Feeling
Larissa Iceglass on place, romanticism and refusing an alienating digital life. The original 2013 conversation with one half of Lebanon Hanover, illustrated with the duo’s archive photographs.
Mark Van Hoen — Hearing the Mystery
The Locust and Seefeel musician on memory, machines, cinema and the return of a long-running project. Mark Van Hoen opens the colourful, difficult-to-define world of his music.
Loscil — The Beauty of the Mundane
Scott Morgan on loops, samples and the meeting of industry and nature in Vancouver. Loscil’s quiet soundworld opens onto dreams, making art and fatherhood.
Amanda Brown — Pop Without Permission
The LA Vampires and Not Not Fun co-founder on collaboration, improvisation, style and women’s agency. Amanda Brown imagines pop music as a place where several lives can meet.
Tropic of Cancer — A World in Slow Motion
Camella Lobo on romanticism, repetition, Los Angeles and the private world behind Tropic of Cancer. The 2012 conversation follows songs from their first impulse to the stage.