Secret Thirteen Mix 055

Ryan Griffin

Expansive ambient melodies meet understated bass rhythms in a selection shaped by A Strangely Isolated Place, introducing three Places Series exclusives before closing with two intimate readings of Rhubarb.

Listen to the mix
Secret Thirteen Mix 055 cover — Ryan Griffin
  • Ambient · Bass music
  • A Strangely Isolated Place / 2013 previews
Listen to the mixSTM 055 / Ryan Griffin

STM 055 is a smoothly polished ethereal music compilation which fuses 15 original records from such prominent musicians as Aphex Twin, Ametsub, Herrmann & Kleine, Ian Hawgood, Sam KDC and other relevant talents. Mix also contains exclusive works forthcoming on author’s record label later this year.

The author of the mix is Ryan Griffin, a British journalist, DJ and label owner, now residing in Portland, Oregon (USA). Started to spin turntables while he was only 16 years old, Griffin gradually matured his musical taste which varies among house, techno, ambient and other electronic music styles. His time spent in Ibiza was the main influence to explore more atmospheric downtempo music. Fascinated by the early Global Underground releases and works of such notable musicians as Nick Warren and Ulrich Schnauss, Griffin was involved into the music industry more and more. In 2004 he started working at Crosstown Rebels (record label), but it wasn’t lasting for so long. Soon after he has left operator’s job at the record label, Griffin created his own influential and continuous project called A Strangely Isolated Place, mainly focusing on the honorable musician’s exclusive mixes, records releasing/publishing and promoting creations by other skillful artists. By constantly developing his conceptual music community and label, Griffin has presented a fruitful catalog of works from such respectable musicians as Loscil, Anders Ilar, Kettel, 36 and many others. Also don’t forget to check his The Places Series presenting some high-quality releases by very promising artists from all around the globe.

STM 055 is an entirely frank and subtly manoeuvrable audio voyage which mirrors Griffin’s inner peace and his mellow musical taste. The selection contains lots of relatively new stuff from very promising artists such as EUS, Module, Kiyoko and others. This mix also clearly reflects a musical concept of ASIP. The basis of this mix stands on the stylistically diverse and refined employment of digitalized instrumentation, arrangements of amazing extensive melodies and shifting ambiance that constantly vary between upper and lower background layers. Often emerging skillfully shaped architectural rhythmics enrich the whole meditative background with mobility and flexibility. With a precise intention and coordination of sound that balances between ambient and smooth bass music, Griffin perfectly maintains and holds the specific mysticism and atmosphere of the recordings. Sonorous authentic musical effects, sublime experimental atmospheres and creative fuzzy loops strengthen the wholeness with the micro-activity and vivid emotions. Cathedral type sounding of high-quality records brings a rich listening experience and every time lets us find something new and yet unnoticed.

Records and connections

Billow Observatory — Billow Observatory release artwork
Billow ObservatoryBillow Observatory Felte
2012
02
Release page
Purl, Deflektion — Growing release artwork
Purl, DeflektionGrowing Dewtone Recordings
2012
04
Release page
Various Artists — The Places Series (Collection) release artwork
Various ArtistsThe Places Series (Collection) A Strangely Isolated Place · retrospective collection
2018
Release page
Aphex Twin — Selected Ambient Works Volume II release artwork
Aphex TwinSelected Ambient Works Volume II Warp
1994
15
Release page

STM 055 is like a symbolic and expressive Edvard Munch’s modern art painting “Two People. The Lonely Ones (To mennesker. De ensomme)” where two hazy figures that are going through the the nebulous landscape create a strange mood of love, dreams, magnificent thoughts, life meaningfulness and a weird coincidences.

Sources and image credits

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