Secret Communications 004 - Cashmere Radio
The fourth show explores diverse danceable vibes from mid 80’s till now ranging from velveteen lushness to grittier synths and Lithuanian 90’s grooves.
The fourth show explores diverse danceable vibes from mid 80’s till now ranging from velveteen lushness to grittier synths and Lithuanian 90’s grooves.
The third Secret Communications show features leftfield fusions of no wave and punk to sublime ‘90s shoegaze from Eastern Europe.
The second episode brings more eclectic delights from sonic waters - contemplative folk to Lithuanian hauntological lo-fi synth.
In the first episode of our show we present some Lithuanian synth/noise sounds and other material ranging from blissful ambience to rave deconstructions.
From the bright brilliance of Klara Lewis to the punkish synth expressiveness of group A, Berlin Atonal 2018 was a diverse, adventurous, yet coherent experience.
Berlin’s A L’ARME festival gave sonic adventures ranging from the alien playfulness of Maja S.K. Ratkje to the empowering world jazz of Laurie Anderson’s band.
Mieko Suzuki (KooKoo) constructs a collage-like narrative, layering 24 tracks into 40 minutes. A fusion of industrial techno, cloudy ambience, and live field recordings.
Berlin Atonal 2018 surprises with an adventurous and exciting lineup, full of diverse genres ranging from adventurous new age to industrial.
Techno and minimalist percussions animate an imaginable alien tribal world on this odd recording from the Lithuanian artist Patricia Kokett.
Bestial Mouths weave exclusive vocals over minimal techno, turning it into an instrument of post-punk witchcraft. A ritualistic session recorded solely for the archive.
Zhark Recordings founder Kareem marks the label's 20th anniversary with a ruthless 90-minute session. A journey through industrial techno muscle, featuring Ancient Methods, Vatican Shadow, and unreleased edits.
Berlin based duo Sixth June of Mannequin Records presents an elegant selection celebrating the diversity of new wave/synth pop and goth.