STM 154 - Moniek Darge
Moniek Darge assembles four decades of her own field recordings and soundscape experiments — from Brazil and Tamil Nadu to Hong Kong and Ghent — into a mix that dissolves the boundary between document and composition.
Moniek Darge assembles four decades of her own field recordings and soundscape experiments — from Brazil and Tamil Nadu to Hong Kong and Ghent — into a mix that dissolves the boundary between document and composition.
An enigmatic mix by AnD, blending 27 profound industrial-minded records (1975–2014) into a soundtrack for an unreleased post-apocalyptic sci-fi film.
A masterful mix by Sendai, creating a symbiosis between various musical composition traditions, ideologies, and levels of production quality.
A scenic mix by Sturqen connecting 22 works penetrating the subconsciousness and released between 1957 and 2014.
Brian Williams opens his listening world through nineteen records: Jamaican dub, film scores, jazz and electronic depth. Lustmord’s STM 103 returns with a new 2026 editorial note.
Lee Gamble presents a deeply conceptual mix, crafted using field recordings, academic pieces, and outtakes from discussions and lectures.
The graphic and systematic mix by Rrose deeply explores shapeless and experimental sounds spanning the last five decades.
Paul Purgas and James Ginzburg of Emptyset deliver a compelling mix, meticulously interweaving 25 stunning sonic constructs.
This heartfelt and eclectic mix by Steve Roden encompasses ethnographic gems, folk, '60s garage psych, African funk, '70s soul, and more, all lovingly sourced from his parents' vinyl collection.
An exemplary mix by Team Doyobi of Skam Records connects 58 gradually shifting kaleidoscopic and conceptual records from the latter 5 decades.
A carefully crafted kaleidoscopic mix by ASC, which could serve as a solid soundtrack for a mystery and drama film.
An eclectic mix by Lawrence English consisting of 17 diverse records, which mirrors his long-sighted view in music as a phenomenon.