Obtane & Giuliano Palmieri
Spoken fragments and transformed field recordings pass through shadowy ambience and industrial percussion, as a semi-live collaboration draws theatre, poetry and techno into one densely layered composition.

Spoken fragments and transformed field recordings pass through shadowy ambience and industrial percussion, as a semi-live collaboration draws theatre, poetry and techno into one densely layered composition.
Fourteen records trace the electric guitar through suspended drones, pedal experiments and resonant rooms, bringing together the players and influences behind an album of collective, slowly evolving sound.
Sixteen records connect psychedelic guitar music with post-punk tension and industrial shadows, moving between worn voices, motorik rhythms and walls of distortion without losing their live, restless energy.
An imagined film takes shape through fifteen records of hollow rhythms, processed instruments and shifting atmospheres, with unreleased material threading a quiet sense of suspense through the sonic collage.
Thirteen records draw psychedelic drone, African rhythms and experimental jazz into a fluid journey, where shifting pulses and meditative spaces carry the listener between markedly different musical worlds.
Fifteen pieces set intricate electronic rhythms against expansive cinematic melody, moving from Kraftwerk and Drexciya to Autechre and Aphex Twin through carefully timed overlaps, muted tension and sudden detail.
A continuous hour of noise and drone reveals fine movement beneath a dense surface of static, drawing attention to changes in pressure, texture and distance as its slowly shifting layers absorb the room.
Reggae, hip-hop, funk and psychedelic rock pass through twelve named chapters, with echoing voices, sirens and loose rhythmic patterns sustaining a communal, unhurried flow between dancefloor and daydream.
Colin Andrew Sheffield opens the Elevator Bath circle with eight rare or unreleased pieces. Static tones, field recordings and fine-grained textures form a quietly unstable soundtrack, with contributions from Rick Reed, Tom Recchion, Matt Shoemaker and Sheffield himself.
Seventeen records move between film scores, improvised jazz and industrial experiment, drawing together spoken fragments, field recordings and the cinematic imagination of the 1970s and early 1980s.
Recorded live from vinyl without added effects or edits, eighteen selections move from field recordings and beatless electronics into gradually gathering rhythms, holding an open dialogue between texture and pulse.
Seventeen dark electronic records connect industrial origins with the first Beläten releases, binding archaic synthesizers, ritual voices and insistent rhythms into a stark, emotionally charged sequence.