Ontal
A collage drawn from vinyl, CD, cassette and digital sources traces the links between industrial noise, fractured techno and ambient space, layering 59 records into an evolving rhythmic architecture.

A collage drawn from vinyl, CD, cassette and digital sources traces the links between industrial noise, fractured techno and ambient space, layering 59 records into an evolving rhythmic architecture.
Cinematic atmosphere gives way to low-end pressure as architectural recordings, analogue noise and fractured rhythms overlap, connecting 25 works by peers and collaborators into a shifting soundscape.
Live instrumentation, field recordings and unstable percussion dissolve into a continuous nocturnal drift, bringing private recordings and forthcoming Miasmah material into contact with enduring influences.
Rimantas Lukavičius on the decisions behind digital filmmaking, creative integrity and working with global brands. A 2013 look inside the Vilnius studio, accompanied by selected KORB films.
On anger, beauty, self-imposed limits and the meaning a sound can carry. Haus Arafna’s complete 2013 conversation is followed by a separate 2026 editorial and dated recordings.
Damian Marhulets turns 56 fragments into a dreamlike, non-linear narrative: experimental turntablism, electroacoustic music and unexpected humour open onto a world of shifting identities.
Uhuruku builds a personal journey through industrial rhythms, dub and psychedelic terrain, layering records from his collection into music for restless wanderers.
Haubrecht Gumpmann trusts two turntables, intuition and the unruly possibilities of jazz, threading spiritual and improvised records into a spontaneous, deeply human journey.
Nikodem Langfuhr’s Ballet of Violence finds the mischievous, alluring side of darkness in a selection that moves freely between drone, post-punk and uneasy songcraft.
The Brooklyn artist on cutting graphite drawings into paper lace, working with galleries and the line between drawing and sculpture. An illustrated 2013 conversation about gesture, complexity and the work of making.
Alan Dunn layers 55 works around silence, water, revolution, grey, catastrophe, background and numbers: a one-hour soundtrack intended for listening in motion.
Seven then-unreleased productions thread through a live-recorded selection of fractured techno, where micro-sampling, rolling percussion and precise transitions connect personal experiments with club records.