Aerobica
Rare minimal wave records, borrowed tapes and fragments of film dialogue explore isolation and failed communication, with intimate voices and rough-edged synthesizers carrying a quietly unsettling narrative.

Rare minimal wave records, borrowed tapes and fragments of film dialogue explore isolation and failed communication, with intimate voices and rough-edged synthesizers carrying a quietly unsettling narrative.
Prepared piano, blurred guitars and electronic pulses move through luminous, intimate spaces, linking ambient composition and shoegaze in a sequence whose emotional weight emerges from gradual transitions.
The filmmaker and composer on silence, Showing Light and the city as a living organism. Ran Slavin moves between sound, cinema, technology and the subconscious.
Skaņu Mežs - scenic music festival that should enchant and fully involve every sophisticated listener into its bizarre sounds vortex
A live sequence of oscillators, samplers and analogue synthesizers turns precise signals into restless physical rhythms, revealing how small improvisations reshape the geometry of industrial electronics.
The artist, writer and curator on political beginnings, studio practice and the life of an image. An illustrated 2013 conversation about making work, finding recognition and keeping curiosity open.
Graham Lambkin on musical beginnings, unexpected discoveries and the physical life of Kye records. The original 2013 conversation accompanies his eleven-track selection.
The Berlin artist on turning ordinary materials into moving installations. Air, light and physical computing meet in this 2013 conversation, illustrated with the works and films discussed in the interview.
The composer behind The Sight Below on attentive listening, The Unintentional Sea and curating Substrata. The complete 2013 conversation, followed by separately dated 2026 reflections.
Futurist speech, musique concrète and modern noise collide with industrial rhythm and jungle, tracing a path from early sonic experiments to dense contemporary production without losing its dramatic tension.
Old songs, abstract electronics and unreleased collaborations drift through a dense, dreamlike sequence, where voices and slow-moving rhythms repeatedly dissolve into unfamiliar shapes.
A relaxed turntable session preserves the crackle of old records as devotional jazz, choral music and acoustic experimentation unfold, finding unexpected affinities through patient, unforced transitions.