S13 — Arma Podcast 144
Justinas Mikulskis’ DJ set from SPACE LOVE in Moscow, with his impressions from the evening.

Justinas Mikulskis’ DJ set from SPACE LOVE in Moscow, with his impressions from the evening.
Thirty-two records connect industrial abrasion, pop hooks and electronic experiments, tracing Rémy Pelleschi's influences through unexpected encounters between The Prodigy, Pan Sonic and Desire.
Jonathan Krohn revisits the Chicago connections behind his electronic music, tracing punk's metallic force through Big Black, The Jesus Lizard and the wider orbit of Touch and Go.
Elias, George and Antony on the beginnings of FASMA and the underground around it. A 2015 conversation about Athens, local artists, independent spaces and the festival they wanted to build.
Two live cuts form a shifting architecture of fractured rhythms, fine percussion and glimmering ambience, each small electronic gesture opening onto a different pattern or texture.
Film scores, dialogue and sound effects become a story of their own, moving from the unease of Persona and Videodrome to the suspended beauty of Philip Glass and Arvo Pärt.
Helena Hauff weaves records from 1974–2014 into a narrative beyond genre or period. Nocturnal songs, abrasive punk and industrial pulses reveal influences not always apparent in her own productions.
Deaf Center opens its private archive with twelve previously unreleased recordings from 2003–10. Alternate versions and unfinished pieces illuminate the intimate, shadowed world behind the duo’s released work.
Joseph Sannicandro turns 55 recordings into an exploration of inner space, weaving ambient drift, fragmented melodies and electronic experiments around Bianchi and Uggeri's Between the Elements.
Darrin C. Huss revisits the records that shaped Psyche's early sound: synthesizer experiments, singular voices and new wave songs that found freedom beyond rock's familiar structures.
A collage poised between dreams and waking, where Delia Derbyshire, Mica Levi and Roly Porter meet in layered voices, abrasive textures and the slow, unsettling logic of an imagined film.
Davide Carbone dismantles his own material and rebuilds it live, moving through submerged breakbeats, industrial anxiety and dense drones towards a final release of acidic euphoria.