Andrea Parker
Two hours connect musique concrète, hip-hop and shadowy electronics, with Daphne Oram reworkings and Touchin’ Bass connections threading through a restless sequence of 51 records, voices and cinematic fragments.
Publications archive
181–192 of 252 publications 
Dalglish — Sound, Risk and Responsibility
Chris Douglas on Bytreqw, dreams, presets and the relationship between music and lived experience. The full 2013 conversation, with a separately credited 2026 archive layer.
Locust
Treated guitars, dreamlike vocals and analogue electronics connect 25 records across industrial music, psychedelia and ambient, tracing a patient passage from uneasy introspection to the pull of nostalgia.
Ancient Methods
Ancient Methods reveals a quieter, deeply personal side through 16 records. Acoustic composition, ambient electronics and dark folk carry the intensity of his techno into unexpected forms.
Avant! Records
Andrea Napoli on the shared sound, changing catalogue and independent spirit of Avant! Records. The original 2013 conversation comes with a fourteen-track label mix.
Pietro Riparbelli
Italian experimental music opens onto psychedelia, early electronics and new wave, with Battiato, Grossi and Stratos threading through a selection that reveals the formative influences behind the sound artist.
Andrew Pekler
Five hardware improvisations weave through percussion studies, tape experiments and jazz-inflected electronics, turning 37 selections into a restless collage of shifting rhythms and unexpected sonic affinities.
Ryan Griffin
Expansive ambient melodies meet understated bass rhythms in a selection shaped by A Strangely Isolated Place, introducing three Places Series exclusives before closing with two intimate readings of Rhubarb.
Biosphere
Biosphere dedicates a selection of 16 vinyl records to Pete Namlook. Early electronics, industrial atmospheres and resilient melodies evoke the music that first connected their listening worlds.
Grischa Lichtenberger
Fifteen personal experiments interlace with electronic, rock and classical records in a remembrance of his father, where fractured beats and intricate textures open onto voices, melody and shared musical memory.
bvdub — Memory, Solitude and Making Music
Brock Van Wey’s candid account of leaving the USA for China, refusing genre and making music from necessity. The complete 2013 interview, followed by a separate 2026 editorial.
Loscil
Loscil follows his formative listening beyond ambient electronics: fourteen pieces of film music, acoustic composition and early electronic experimentation become a quietly cinematic hour.