S13 / Audio transmissions

Mixes

Long-form selections from artists working at the edges of electronic, experimental and underground sound.

Mixes archive

205–216 of 333 mixes
Bobby Bird in a layered double-exposure photograph with electronic equipment.
STM 121

Higher Intelligence Agency

An ambient dub genealogy links Birmingham’s Oscillate circle with electronic pioneers, tracing a time when shared curiosity mattered more than genre boundaries.

Intentionally blurred monochrome portrait of Drøp.
STM 120

Drøp

Field recordings, circuit-bent textures and slowly shifting atmospheres form a layered collage, bringing mathematical precision into contact with ritual, memory and the physical effects of sound.

Two figures with a record player in an open landscape, in a grainy archival photograph.
STM 119

AutopsiA

Unpublished archive recordings meet modern composition and spoken text in a meditation on repetition, accompanied by a manifesto that treats reproduction itself as an artistic method.

Ensemble Economique, archival artist photograph.
STM 118

Ensemble Economique

Ensemble Economique builds an entire mix inside Ground Zero’s Consume Red. Field recordings, his own material and twelve overlapping sources form a dense, dreamlike composition rather than a linear playlist.

Racehorses Are Resources, archival artist photograph.
STM 117

Racehorses Are Resources

Racehorses Are Resources connect Detroit’s early blues memory with hip-hop, noise and improvisation. Their debut mix unfolds through unreleased collaborations, poetry and the meeting points between musical traditions.

AnD in black hoodies, photographed through a grainy reflective surface.
STM 116

AnD

Industrial electronics, tape experiments and fractured rhythms form a soundtrack to an imagined post-apocalyptic film, where patient transitions let moments of calm gather into dense sonic pressure.

Èlg in an enclosed metallic green suit, seated cross-legged on a muted floral bed against a bare cool-grey wall.
STM 115

Èlg

Twelve sonic lullabies trace a path through gamelan, Kenyan song, minimal pop and abstract electronics, using warm repetition to summon the private images and parallel worlds of half-sleep.

Peder Mannerfelt with raised arms between loudspeakers and a painted wall.
STM 114

Peder Mannerfelt

Field recordings, jungle, industrial electronics and Swedish underground music meet in a restless selection, finding continuity between records whose textures and intentions pull in different directions.

Asmus Tietchens performing behind electronic instruments on a dark stage.
STM 113

Asmus Tietchens

From orchestral collage and early rock to digital microsound, a private listening canon reveals an ear for reduction and structure, with personal commentary on every record in the sequence.

Kyoka in close-up, looking sideways through directional light.
STM 112

Kyoka

Abstract rhythms and spacious electronics unfold almost in full, allowing each piece its own time and atmosphere. A Swedish studio recording shaped by an image of sound as wind, waves and tides.

Mace. in deep shadow, with glasses silhouetted against a horizontal band of light.
STM 111

Mace.

An Arte Povera-inspired selection connects film fragments, improvisation and electronic minimalism, searching for beauty beyond commercial value through fragile melodies and slowly shifting shadows.

Black To Comm in a monochrome portrait with blurred architectural forms behind him.
STM 110

Black To Comm

Field recordings, haunted voices and organ tones drift through imagined ruins and sacred spaces, weaving a densely layered selection whose patient transitions suggest a single continuous composition.

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