Simon Scott
Acoustic guitar, exploratory jazz and contemporary composition unfold in an unhurried sequence, where delicate improvisation and resonant strings make room for intimate songs and quietly shifting emotion.
S13 / Audio transmissions
Mixes
Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Mixes archive
253–264 of 333 mixes 
KK Null
Musique concrète, orchestral dissonance and raw noise overlap across eighteen sections, with recurring compositions, metal and jazz dissolving into a continuously shifting study of pressure and texture.
Roly Porter
Poetry, choral voices and contemporary composition open onto stark electronics and crushing guitar, building a dramatic sequence in which fragile stillness repeatedly gives way to overwhelming physical force.
Gosh Snobo
Gosh Snobo’s farewell to a chapter of mixtape-making is a carefully re-edited mosaic of voices, folk, chamber music and electronics — twenty-four records woven into a strange, luminous whole.
Mark Fell
Early house records reveal a formative side of an exacting electronic practice, as organ chords, expressive voices and supple sampled rhythms turn precise transitions into a warm, quietly hypnotic flow.
Xhin
Unsettling ambient music, intricate electronics and fragments of acoustic instrumentation follow a winding path, moving between weightless detail and rhythmic tension without settling into a single style.
Stephen Vitiello
Children’s voices connect home recordings, pop songs and unsettling film scenes, moving from unguarded play to electronically altered speech in a sequence that gradually complicates its initial innocence.
Roel Meelkop
Field recordings, homemade instruments and minute electronic processes are remixed into a continuous sound world, where fragile changes in volume and texture bring movement to seemingly static layers.
Conor Thomas
A single vinyl take connects stark industrial rhythms, spectral voices and submerged bass, moving through records from 1981 to 2013 with the tension and physical immediacy of a carefully paced live set.
She Past Away
She Past Away shares 23 favourite tracks from the roots of their darkwave sound. Stark electronics, distorted guitars and dramatic voices trace a personal route through post-punk and gothic rock.
Šarūnas Nakas & Alla Zagaykevych
A sustained electroacoustic composition unfolds through layered dissonance, sudden instrumental gestures and microscopic detail, extending Ziqquratu into a dense, slowly transforming architecture of sound.
Steinbrüchel
Two hours of field recordings, fragile piano and minimal electronics unfold at an attentive pace, letting small glitches, rustling textures and suspended melodies drift between open space and quiet tension.