S13 / Audio transmissions

Mixes

Long-form selections from artists working at the edges of electronic, experimental and underground sound.

Mixes archive

277–288 of 333 mixes
Ancient Methods, archival photograph from the Secret Thirteen cover.
STM 058

Ancient Methods

Ancient Methods reveals a quieter, deeply personal side through 16 records. Acoustic composition, ambient electronics and dark folk carry the intensity of his techno into unexpected forms.

Pietro Riparbelli concentrating on an electronic performance, framed behind his equipment in restrained monochrome.
STM 057

Pietro Riparbelli

Italian experimental music opens onto psychedelia, early electronics and new wave, with Battiato, Grossi and Stratos threading through a selection that reveals the formative influences behind the sound artist.

Andrew Pekler working at his synthesizer in a grainy monochrome performance photograph.
STM 056

Andrew Pekler

Five hardware improvisations weave through percussion studies, tape experiments and jazz-inflected electronics, turning 37 selections into a restless collage of shifting rhythms and unexpected sonic affinities.

Ryan Griffin in a black shirt against a cool grey wall, in a softly lit monochrome portrait.
STM 055

Ryan Griffin

Expansive ambient melodies meet understated bass rhythms in a selection shaped by A Strangely Isolated Place, introducing three Places Series exclusives before closing with two intimate readings of Rhubarb.

Biosphere, archival photograph from the Secret Thirteen cover.
STM 054

Biosphere

Biosphere dedicates a selection of 16 vinyl records to Pete Namlook. Early electronics, industrial atmospheres and resilient melodies evoke the music that first connected their listening worlds.

Grischa Lichtenberger performing at a table of electronic equipment, in a textured monochrome photograph.
STM 053

Grischa Lichtenberger

Fifteen personal experiments interlace with electronic, rock and classical records in a remembrance of his father, where fractured beats and intricate textures open onto voices, melody and shared musical memory.

Loscil, archival artist photograph.
STM 052

Loscil

Loscil follows his formative listening beyond ambient electronics: fourteen pieces of film music, acoustic composition and early electronic experimentation become a quietly cinematic hour.

Richard Chartier looking upward through clear glasses against a deep black background, with restrained cool tones.
STM 051

Richard Chartier

Minimal soundscapes, dub pulses and restless electronics accumulate across 31 layered records, including early glimpses of AGF’s Source Voice and the expansive William Basinski collaboration Aurora Liminalis.

Orphx, archival photograph from the Secret Thirteen cover.
STM 050

Orphx

Orphx connect 32 tracks across industrial, ambient and techno. Over 90 minutes, shifting rhythms and densely sculpted textures reveal the discoveries that shaped the Canadian duo’s sound.

Steve Roden performing with small objects on a dark stage, in a grainy monochrome photograph.
STM 049

Steve Roden

Twenty-four seven-inch records trace a personal route through African funk, garage psychedelia, soul and traditional music, with worn grooves and unexpected affinities giving distant recordings an intimate scale.

Team Doyobi performing beneath yellow and green circular projections, with a laptop and electronic instruments.
STM 048

Team Doyobi

Two hours of electronic music move between early synthesizer experiments, machine funk and digital abstraction, tracing the character of specific instruments alongside unreleased work from the duo’s wider circle.

Chris Hobson of MNML SSGS looking down at turntables in a dim interior, photographed in black and white.
STM 047

Chris MNML SSGS

Eleven electroacoustic works unfold through sustained tones, live instrumentation and minute changes in texture, placing Lucier, Radigue and Parmegiani beside newer experiments in resonance and electronic space.

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