Aerobica
Rare minimal wave records, borrowed tapes and fragments of film dialogue explore isolation and failed communication, with intimate voices and rough-edged synthesizers carrying a quietly unsettling narrative.
Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Rare minimal wave records, borrowed tapes and fragments of film dialogue explore isolation and failed communication, with intimate voices and rough-edged synthesizers carrying a quietly unsettling narrative.
Prepared piano, blurred guitars and electronic pulses move through luminous, intimate spaces, linking ambient composition and shoegaze in a sequence whose emotional weight emerges from gradual transitions.
A live sequence of oscillators, samplers and analogue synthesizers turns precise signals into restless physical rhythms, revealing how small improvisations reshape the geometry of industrial electronics.
Futurist speech, musique concrète and modern noise collide with industrial rhythm and jungle, tracing a path from early sonic experiments to dense contemporary production without losing its dramatic tension.
Old songs, abstract electronics and unreleased collaborations drift through a dense, dreamlike sequence, where voices and slow-moving rhythms repeatedly dissolve into unfamiliar shapes.
A relaxed turntable session preserves the crackle of old records as devotional jazz, choral music and acoustic experimentation unfold, finding unexpected affinities through patient, unforced transitions.
Demdike Stare brings 23 rediscovered records into a shifting dialogue across eras and cultures. Electroacoustic composition, improvisation and electronic rhythms retain the duo’s distinctive atmosphere of mystery.
Sine waves, environmental sound and industrial song reveal three decades of formative listening, with near-complete pieces allowing tiny shifts in texture to emerge beside moments of unexpected warmth.
Oren Ambarchi shares the records that accompanied his travels: twenty-six richly melodic selections, from Pat Metheny and Fleetwood Mac to Blue Gene Tyranny, revealing the song-centred side of his listening.
Nigel Yang of HTRK lets eight expansive pieces unfold almost in full. Beginning with a midnight raga, the mix explores inner calm, lucid dreaming and the crystal beauty of sound.
Unreleased bass experiments and early drum and bass thread through shadowy ambient music, tracing a personal collection where suspended textures give way to restless percussion and sharply drawn contrasts.
Pirate-radio energy, fractured electronics and jungle collide with film dialogue and stray voices, forming a densely assembled collage whose abrupt turns reveal the playful logic beneath its restless surface.