FOR.
FOR. place their own industrial experiments among the raw electronics of Varg, Damien Dubrovnik and Orphx. A slow accumulation of machine hum, power electronics and relentless techno gives way to a reflective closing piece by Ábris Gryllus.
S13 / Audio transmissions
Mixes
Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Mixes archive
133–144 of 333 mixes 
Internazionale
Internazionale traces the many influences behind Mikkel Valentin Dunkerley’s crystalline ambient world. Fifteen selections move between Gabriel Fauré, Danish lo-fi electronics, acid and trance, held together by the bittersweet feeling of a city after the party.
Dalhous
Dalhous merge cult film soundtracks with Bernard Parmegiani, Alvin Lucier and Harold Budd in a quietly unsettling selection. Twenty-four pieces move through cinematic ambience, claustrophobic drones and brief flashes of light, like a long dream approaching a nightmare.
Cull of the Useless Eaters
Cull of the Useless Eaters returns to the restless energy of 1990s UK electronics. House, breakbeat and hardcore classics meet Gareth Cox’s own productions, political speech fragments and newer bass-heavy records in a dark, nostalgic but sharply focused mix.
Massimo Carozzi
Massimo Carozzi builds Sillon Fermé entirely from locked grooves, mixing tiny vinyl loops into a fluid, hypnotic composition. Two turntables and later overdubs connect radiophonic bleeps, jazz fragments and ambient drones through the physical unpredictability of the records.
Andi Stecher
Drummer, electronic musician and shepherd Andi Stecher connects the city with the wilderness. Alpine field recordings, Bolivian folk and music from Burundi meet experimental electronics in a warm, wide-ranging selection that closes with his own Tödi.
December
December follows the emotional arc of Stephen Dwoskin’s film Behindert, mixing while watching it unfold. Gigi Masin, Grouper, Cremation Lily and Pascal Comelade shape a circular narrative of love, anxiety and nostalgia, suspended between luminous ambience and industrial tension.
Paul Jebanasam
Paul Jebanasam steps away from Continuum’s internal system to experiment with discontinuity and collage. Ambient pieces, electroacoustic fragments, the Akira soundtrack and Walt Whitman form a dreamlike sketchbook where the differences between sounds become their own connective logic.
Broken Bone
Broken Bone open a three-hour wormhole through industrial music, noise, IDM and techno. Daz Quayle and Tony “Bone” Snowden make contrast central to the journey, moving between light and darkness with a selection of artists from Autechre and Mira Calix to Pharmakon and Sendai.
Broken English Club
Broken English Club threads industrial rhythms, post-punk tension and urban surrealism through a raw sixty-five-minute selection. Oliver Ho’s own projects and unreleased Death & Leisure material meet Pharmakon, Samuel Kerridge, Demdike Stare and Ayshay.
Mesmeon
Mesmeon pays homage to radical computer music and the Fals.ch underground, assembling bleeps, hisses, ruptures and digital debris into a complex, restless sound world.
BlackBlackGold
BlackBlackGold draws together deconstructed club music, industrial pressure and gothic unease in a volatile selection that connects radical dance-floor forms with older darkness.