Beta Evers
Beta Evers journeys through dark electro, minimal electronics and industrial music, placing her own collaborations beside kindred underground voices in a carefully paced, personal selection.
Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Beta Evers journeys through dark electro, minimal electronics and industrial music, placing her own collaborations beside kindred underground voices in a carefully paced, personal selection.
Rhys Fulber moves beyond familiar industrial territory into ambient space, choral music and raw electronic rhythm, joining personal influences with the machines and melodies that shaped his work.
FOQL opens a window onto Polish experimental music, joining tape-era underground recordings, spoken fragments and contemporary electronics in a restless collage across three decades.
Mick Harris builds Head Stew from musique concrète, noise, dub and unruly fragments, revealing the obsessive listening and precise instinct behind his densely layered musical world.
Alex XIII Maerbach traces the guitar’s outer limits through 1990s noise, fragile folk and improvised abstraction, shaping a sprawling personal archive into a deeply absorbing collage.
New Hip Tiki Scene revisit the unruly possibilities of 1990s sound, weaving jazz, digital experiments, pop memories and playful fragments into a densely connected, unpredictable collage.
6SISS maps the Belgian EBM, industrial and power-electronics underground of the 1990s through 22 selections, many first issued on tape.
Erin Arthur connects the strange textures and rhythmic possibilities of 1990s electronics, moving through IDM, dub, noise and intimate melodic discoveries with an expansive personal selection.
Arma Agharta shares Japanese discoveries gathered through years of listening and exchange, moving from outsider electronics and noise to luminous melodies and quietly eccentric sound worlds.
Dan Hayhurst of Sculpture connects early electronic experiments, video art, jazz and songs, letting improbable combinations unfold with the tactile curiosity and playful logic of his own work.
Chihei Hatakeyama explores Japanese recordings from the 1960s to the 1980s, revealing a world of folk traditions, contemporary composition, rock and intimate sonic memories beyond his ambient work.
Janek Schaefer looks back across 22 years of sound, moving chronologically through installations, collaborations and solo recordings in a personal retrospective that begins with Recorded Delivery.