Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Félicia Atkinson gathers eighteen intimate, exploratory recordings into a warm journey across continents. Pharoah Sanders’ “Love Is Everywhere” forms its radiant centre, surrounded by field recordings, new age, folk and adventurous sound art.
Justin K. Broadrick takes twelve of his own tracks apart in a semi-live session of industrial weight, slowed rhythms and dub pressure. Live machines and remixed stems expose the unstable, narcotic underside of JK Flesh.
Blue Hour steps away from the dancefloor into a melancholic selection of shoegaze, noir pop and experimental electronics. Helen, HTRK and Martin Rev meet eighteen carefully connected pieces, including an unreleased recording by Luke Standing himself.
Bestial Mouths rebuild minimal and dub techno with field recordings, unreleased studio fragments and Lynette Cerezo’s voice, recorded for this session. Twenty-six selections become a sparse, grim ritual where industrial textures and human vulnerability collide.
LXV builds a vivid sound collage around the uneasy meeting of nature, technology and human consciousness. Japanese electronic pioneers, processed field recordings and David Sutton’s specially composed interludes form the thirty-seven-minute world of No Face Render.
Stine Janvin Motland brings classical music, experimental electronics, political poetry and pop into a challenging reflection on race and collective identity. Muhammad Ali, Amiri Baraka, M.I.A. and Kendrick Lamar appear alongside intimate sounds and fractured rhythms.
Jake Meginsky connects footwork, electronic minimalism and eccentric studio experiments in a deeply personal selection. Twenty-five tracks move between RP Boo, Container, Andrew Pekler and Raymond Scott, with added 808s and blends extending the conversation.
Kareem pushes from ominous ambient space into bruising industrial techno across ninety minutes. Twenty selections connect Huren, Shapednoise, Christoph de Babalon and Monica Hits The Ground with the Zhark founder’s own productions and an unreleased Stave remix.
Nite Fields’ Danny Venzin traces underground music from Russia, Ukraine and Georgia, moving between post-punk, nocturnal electronics and folk. Fifteen recordings reveal a distinctive, introverted landscape shaped by local traditions and unexpected encounters.
Shadows, the duo of Andrew Bowen and Dimitri Poumplidis, explore the slower, psychedelic territory beyond AnD. Seventy-three minutes of crushing beats, power electronics and raw industrial textures connect their own material with Mika Vainio, Puce Mary and Wolf Eyes.
Monica Hits The Ground maps an uneasy balance between melancholy and consolation. Eighteen industrial and experimental recordings—from Laibach and Lull to Af Ursin and Ramleh—form an intimate soundtrack for solitary, arduous nights.
SHXCXCHCXSH threads 24 tracks through bursts of punk energy, steely ambience and noir basslines. Fluid transitions and sharp contrasts reveal the softer textures beneath the duo’s rhythmic intensity.
