O/H
Dave Foster and Richard Oddie of O/H assemble a cinematic collage of industrial music, punk and film fragments: teenage dreams and nightmares refracted through a brutally absurd world.
Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Dave Foster and Richard Oddie of O/H assemble a cinematic collage of industrial music, punk and film fragments: teenage dreams and nightmares refracted through a brutally absurd world.
D. Carbone moves from ambient and broken beats into acid, techno and hardcore, revealing the personal influences behind his productions in a restless, shape-shifting journey.
N1L brings his own unreleased works into collision with industrial noise, fractured club rhythms and spectral voices, pushing each selection beyond familiar structures.
Paco Sala shape a cinematic narrative from haunted synth passages, lo-fi rhythms and Japanese chamber pop, tracing a warm but unpredictable route through their shared musical world.
Arturas Bumšteinas weaves more than a hundred songs sent by friends into Stimulus Collapse: a disorienting audio collage, a Shazam challenge and an experimental karaoke exercise.
The Pop Group’s Mark Stewart delivers a kaleidoscopic hour of dub, noise, psychedelia and surrealism, weaving unreleased material and a Max Ernst interview into a Dadaist sonic manifesto.
Mondkopf traces his obsession with distortion through fifteen selections, moving between industrial abrasion, doom metal, drone and hip-hop while revealing the emotional pull beneath the noise.
Kumanthong explores the early history of black metal, bringing obscure demos and uncompromising pioneers together in a tribute to Euronymous, framed by the electronic sound of Klaus Schulze.
Piotr Podomarof’s Hits of Sunshine follows the changing states of a psychedelic journey, drawing thirty-three subversive selections from punk, industrial music, IDM, dark jazz and noise.
Coeden takes the fictional spice Melange from Dune as a starting point for an uneasy passage through ambient pressure, industrial noise and contemporary Italian experimental music.
Cumpire builds a frenetic New Blood narrative around speed, tracing euphoria, anger, obsession and exhaustion through industrial music, noise and punk-inflected electronics.
Subkutan’s Diary of Craving connects dark techno and experimental electronics with the voices of William Burroughs and Johann Hari, exploring pain, addiction and the desire for genuine connection.