S13 / Audio transmissions

Mixes

Long-form selections from artists working at the edges of electronic, experimental and underground sound.

Mixes archive

25–36 of 333 mixes
Dave Foster and Richard Oddie / O/H, black-and-white portrait.
STM 295

O/H

Dave Foster and Richard Oddie of O/H assemble a cinematic collage of industrial music, punk and film fragments: teenage dreams and nightmares refracted through a brutally absurd world.

Davide Carbone / D. Carbone performing at the decks under blue stage lighting.
STM 294

D. Carbone

D. Carbone moves from ambient and broken beats into acid, techno and hardcore, revealing the personal influences behind his productions in a restless, shape-shifting journey.

N1L with his face partly covered by dark fabric, framed by green plants.
STM 293

N1L

N1L brings his own unreleased works into collision with industrial noise, fractured club rhythms and spectral voices, pushing each selection beyond familiar structures.

Paco Sala portrait in blue light, with a face behind translucent black fabric.
STM 292

Paco Sala

Paco Sala shape a cinematic narrative from haunted synth passages, lo-fi rhythms and Japanese chamber pop, tracing a warm but unpredictable route through their shared musical world.

Arturas Bumšteinas playing among tall grasses and trees.
STM 291

Arturas Bumšteinas

Arturas Bumšteinas weaves more than a hundred songs sent by friends into Stimulus Collapse: a disorienting audio collage, a Shazam challenge and an experimental karaoke exercise.

Mark Stewart wearing a white shirt, looking towards the camera.
STM 290

Mark Stewart

The Pop Group’s Mark Stewart delivers a kaleidoscopic hour of dub, noise, psychedelia and surrealism, weaving unreleased material and a Max Ernst interview into a Dadaist sonic manifesto.

Paul Régimbeau / Mondkopf framed by green leaves.
STM 289

Mondkopf

Mondkopf traces his obsession with distortion through fifteen selections, moving between industrial abrasion, doom metal, drone and hip-hop while revealing the emotional pull beneath the noise.

Kumanthong in a deliberately blurred grey-toned portrait.
STM 288

Kumanthong

Kumanthong explores the early history of black metal, bringing obscure demos and uncompromising pioneers together in a tribute to Euronymous, framed by the electronic sound of Klaus Schulze.

Piotr Podomarof wearing headphones and a patterned scarf in a doorway.
STM 287

Piotr Podomarof

Piotr Podomarof’s Hits of Sunshine follows the changing states of a psychedelic journey, drawing thirty-three subversive selections from punk, industrial music, IDM, dark jazz and noise.

Giulio Spampinato / Coeden in a black beanie and jacket against a textured wall.
STM 286

Coeden

Coeden takes the fictional spice Melange from Dune as a starting point for an uneasy passage through ambient pressure, industrial noise and contemporary Italian experimental music.

Geoffroy C. Dedenis / Cumpire in profile beside shelves of records.
STM 285

Cumpire

Cumpire builds a frenetic New Blood narrative around speed, tracing euphoria, anger, obsession and exhaustion through industrial music, noise and punk-inflected electronics.

Subkutan crouching in a hooded jacket in a misty landscape.
STM 284

Subkutan

Subkutan’s Diary of Craving connects dark techno and experimental electronics with the voices of William Burroughs and Johann Hari, exploring pain, addiction and the desire for genuine connection.

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