S13 / Audio transmissions

Mixes

Long-form selections from artists working at the edges of electronic, experimental and underground sound.

Mixes archive

49–60 of 333 mixes
A.M. Rehm and Kali Malone / Sorrowing Christ standing before a chain-link fence.
STM 271

Sorrowing Christ

Sorrowing Christ brings Kali Malone and A.M. Rehm’s worlds together in a stark passage through noise, metal and experimental electronics, moving between raw intensity and hypnotic restraint.

Okkre in an olive jumpsuit on a stairway, photographed against a pale blue wall.
STM 270

Okkre

Okkre turns field recordings, ritual voices and forceful electronics into a vivid sonic journey, bringing personal recordings into dialogue with dense rhythms and expansive, dreamlike spaces.

Coloured light and shadows through a stained-glass window
Mixes

Secret Communications

Twenty-nine broadcasts from Cashmere Radio, originally hosted by Ilius and Švenčionis and continued by Ilius and guests. Experimental electronics, post-punk, industrial and ambient, 2018–2022.

Sstrom seen at the edge of a heavily textured, abstract black-and-white photograph.
STM 269

Sstrom

Sstrom builds a spacious, futuristic techno narrative, threading diverse rhythms and dense atmospheres into a continuous journey framed by Lena Platonos, Somnambulist and Martin Rev.

Bérangère Maximin outdoors among foliage in a textured monochrome portrait.
STM 268

Bérangère Maximin

Bérangère Maximin leads a cinematic journey through acousmatic textures, sound poetry and political collage, weaving three interconnected movements from intimate listening, personal recordings and restless sonic curiosity.

Drew McDowall performing with electronic equipment in a layered black-and-white photograph.
STM 267

Drew McDowall

Drew McDowall, formerly of Coil, weaves a dense, immersive tapestry of contemporary experimental music, connecting collaborators and kindred artists through ritualistic drones, chamber textures and flashes of light.

JFK performing at a Korg synthesizer, with expressive movement blur.
STM 266

JFK

Anthony Di Franco of Ramleh, aka JFK, presents Divine Invasion: a journey made entirely from his own records, drifting between noise, techno, jazz and spoken word with unexpected warmth.

Alexander Tucker holding a dark stone beside his face, surrounded by foliage.
STM 265

Alexander Tucker

Alexander Tucker’s Origin Synthesis Mix follows music through processes of decay and transformation, bringing psychedelic folk, processed acoustics, warped songwriting and heavy electronics into a vivid, exploratory journey.

Kareem wearing a Zhark camouflage hoodie beside a concrete wall.
STM 264

Kareem

Zhark founder Kareem unfolds almost two hours of patient, deeply personal listening, moving from classical melodies and ambient solitude through industrial rhythms before returning to wintry, contemplative electronics.

Jung An Tagen looking down under restrained red and cool blue light.
STM 263

Jung An Tagen

Jung An Tagen builds an intricate electronic world from computer music, musique concrète and fringe techno, connecting microscopic details and broken rhythms before drawing the selection towards the dancefloor.

Mieko Suzuki performing amid intersecting trails of light.
STM 262

Mieko Suzuki

Mieko Suzuki layers 24 selections and her own field recordings into a collage of industrial rhythms, cloudy ambience and intimate sonic detail, sustaining a restless narrative in under 40 minutes.

Three members of Ike Yard beneath steel girders in a cool-toned archival photograph.
STM 261

Ike Yard

Ike Yard trace their present-day influences through cinematic melancholy and gathering rhythmic pressure, with two then-unreleased pieces revealing the continuing curiosity of New York’s post-punk and electronic pioneers.

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