Sorrowing Christ
Sorrowing Christ brings Kali Malone and A.M. Rehm’s worlds together in a stark passage through noise, metal and experimental electronics, moving between raw intensity and hypnotic restraint.
Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Sorrowing Christ brings Kali Malone and A.M. Rehm’s worlds together in a stark passage through noise, metal and experimental electronics, moving between raw intensity and hypnotic restraint.
Okkre turns field recordings, ritual voices and forceful electronics into a vivid sonic journey, bringing personal recordings into dialogue with dense rhythms and expansive, dreamlike spaces.
Twenty-nine broadcasts from Cashmere Radio, originally hosted by Ilius and Švenčionis and continued by Ilius and guests. Experimental electronics, post-punk, industrial and ambient, 2018–2022.
Sstrom builds a spacious, futuristic techno narrative, threading diverse rhythms and dense atmospheres into a continuous journey framed by Lena Platonos, Somnambulist and Martin Rev.
Bérangère Maximin leads a cinematic journey through acousmatic textures, sound poetry and political collage, weaving three interconnected movements from intimate listening, personal recordings and restless sonic curiosity.
Drew McDowall, formerly of Coil, weaves a dense, immersive tapestry of contemporary experimental music, connecting collaborators and kindred artists through ritualistic drones, chamber textures and flashes of light.
Anthony Di Franco of Ramleh, aka JFK, presents Divine Invasion: a journey made entirely from his own records, drifting between noise, techno, jazz and spoken word with unexpected warmth.
Alexander Tucker’s Origin Synthesis Mix follows music through processes of decay and transformation, bringing psychedelic folk, processed acoustics, warped songwriting and heavy electronics into a vivid, exploratory journey.
Zhark founder Kareem unfolds almost two hours of patient, deeply personal listening, moving from classical melodies and ambient solitude through industrial rhythms before returning to wintry, contemplative electronics.
Jung An Tagen builds an intricate electronic world from computer music, musique concrète and fringe techno, connecting microscopic details and broken rhythms before drawing the selection towards the dancefloor.
Mieko Suzuki layers 24 selections and her own field recordings into a collage of industrial rhythms, cloudy ambience and intimate sonic detail, sustaining a restless narrative in under 40 minutes.
Ike Yard trace their present-day influences through cinematic melancholy and gathering rhythmic pressure, with two then-unreleased pieces revealing the continuing curiosity of New York’s post-punk and electronic pioneers.