Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Listening Mirror lets fourteen records unfold patiently, moving from Jóhann Jóhannsson’s piano-led opening towards a quiet sense of spring. His own work meets Birds of Passage, Coil and Motion Sickness of Time Travel in a gently absorbing sequence.
Jára Tarnovski gathers twenty-three Japanese recordings into a delicate survey of experimental sound. Ambient space, intricate electronics, murmured voices and small acoustic details reveal an intimate connection to the scene.
Cezary Gapik connects early electronic experimenters with a restless contemporary underground. Thirteen selections move between static atmospheres, abrasive textures and sudden rhythmic structures, with Eliane Radigue framing the journey.
Ersha blends five of his own unreleased pieces with music by Alva Noto, Irezumi, 36 and other atmospheric explorers. Sixteen selections balance luminous space with darker, weightier textures over a cinematic hour.
Anduin moves through thirteen pieces by John Zorn, Autechre, Tom Waits and kindred experimental musicians, alongside his own recordings. Jazz, submerged voices, guitar textures and shifting rhythms form a volatile, cinematic hour.
Jeremy Bible brings nineteen recent experimental records into a continuous, deeply textured composition. Subterranean crackle, chamber melodies and abrasive passages reveal the wide listening world behind Experimedia.
Ryklys charts a quiet voyage through twelve records, from Aphex Twin and John Cage to Kraftwerk, Orbital and Carl Craig. His love of the sea gives this wide-ranging selection its patient movement and luminous atmosphere.
Eril Fjord builds a live set from unpublished material recorded in 2010–2011. Hardware rhythms, electric guitar and flickering details open a cinematic world between abstract techno and ambient music.
Pleq opens the series with twelve compositions made with collaborators across Japan, Canada, Spain and the United Kingdom. Glitch, drifting atmospheres, cello and piano form an intimate hour drawn from his own musical world.
