Jay Glass Dubs
Jay Glass Dubs reimagines dub through ambient space, trip-hop and futuristic electronics, connecting obscure contemporary discoveries with older, ritualistic echoes in a crystalline, slow-moving journey.
S13 / Audio transmissions
Mixes
Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Mixes archive
73–84 of 333 mixes 
Oto Hiax
Oto Hiax connect water bowls, industrial field recordings and avant-garde piano with the synthetic extremes of Hecker and EVOL. Mark Clifford and Scott Gordon weave thirty-four pieces into an unpredictable, intensely physical sound world.
Hiro Kone
Hiro Kone assembles a boundless mix of subtle abstractions, post-punk mutations and classical daydreams, drawing emotional connections between concise fragments and a collaboration with Drew McDowall.
Chikiss
Chikiss returns to her teenage years with an eclectic selection of Russian and Belarusian music from the 1990s, sharing underground rarities, unruly pop and memories of a changing world.
Daniel O’Sullivan
Daniel O’Sullivan dedicates a vivid, globe-spanning collage to Donald McPherson, weaving 45 selections, family recordings and overlapping musical worlds into an intimate, contemplative continuum.
Moa Pillar
Moa Pillar of Full Of Nothing mixes sublime serenity with complex futuristic rhythms, dense ambient structures and atmospheric brilliance, following a new generation of voices beyond genre boundaries.
Object Collection
Travis Just of experimental opera group Object Collection explores impulsive creativity and the human voice, combining interviews, rehearsals, live fragments and songs into an unpredictable, deeply human collage.
Jaroška
Recorded with an Octatrack in the woods of Antakalnis, Jaroška’s deeply personal collage joins 1990s noise, musique concrète and his own field recordings in a continuous, disorienting stream.
Restive Plaggona
Restive Plaggona reveals a gentler side of his musical world, tracing meditative, emotionally charged connections between intimate songs, ritualistic electronics and drifting abstractions.
Blush Response
Blush Response maps a nocturnal city through industrial music, EBM and unsettling electronics, drawing links between formative influences and his own Infinite Density material.
Ewa Justka
Ewa Justka pushes her handmade instruments into a volatile live performance, where light, circuitry and physical experimentation become abrasive rhythms and unstable electronic textures.
John Hodgson
John Hodgson revisits four decades of restless invention in Life After Death, connecting Basczax, Fast Cakes and his other projects through eccentric songs, punk energy and electronic experiments.