S13 / Audio transmissions

Mixes

Long-form selections from artists working at the edges of electronic, experimental and underground sound.

Mixes archive

37–48 of 333 mixes
Shattered Knives — archival photograph with AI-assisted cleanup of the left-edge graphic.
STM 283

Shattered Knives

Shattered Knives translate the dissociative mood of ketamine into 48 tracks of warped electronics, industrial rhythms and unsettling sound experiments.

Tourist Gaze in a hooded jacket on a city street at night.
STM 282

Tourist Gaze

Tourist Gaze gathers unreleased material, hazy synth melodies and raw folk into a warm, textured ambient journey, made for evening walks as fading light meets water.

Angelos Liaros / Blakk Harbor with a raised arm partly covering his face.
STM 281

Blakk Harbor

Blakk Harbor layers slow, heavy beats, ritualistic drones and industrial textures into a hypnotic journey, adding his own voices, instruments and treatments to an expansive selection.

O Yuki Conjugate seen through textured glass in an abstract double portrait.
STM 280

O Yuki Conjugate

O Yuki Conjugate’s Hallucinations Mix draws on Melanie Smith’s films of South and Central American jungles, bringing organic sounds and electronics together in a warm, disorienting journey.

Marcos Cabral in a blue checked shirt with one hand raised to his mouth.
STM 279

Marcos Cabral

Marcos Cabral’s AM mix reveals a quieter side of his taste: rare ambient and new-age recordings, cosmic improvisations and crystalline electronics for the hours between night and morning.

Sarah Louise in a wooded setting with rainbow light across her hair.
STM 278

Sarah Louise

Sarah Louise connects Appalachian tradition with the avant-garde, threading folk songs, minimalism, psychedelic rock and spiritual jazz into a journey that makes their shared roots audible.

Three Sigillum S performers working with electronics on stage.
STM 277

Sigillum S

Sigillum S maps the contrasts behind its industrial sound: Dizzy Gillespie frames a passage through harsh noise, airy ambience, electroacoustic experiments and the melancholy of Bing & Ruth.

Eartaker’s three members in a shadowy black-and-white portrait.
STM 276

Eartaker

Eartaker draws a line between Japanese experimental sound and the depths of death and doom metal, bringing musique concrète, noise and Goth-Trad’s early work into abrasive proximity.

Ivan Pavlov / CoH in a close black-and-white portrait.
STM 275

CoH

CoH offers warmth for the darkest nights, allowing jazz, Indian classical music and intimate electronics to drift together in a quiet selection that includes his friend Mika Vainio.

Koray Kantarcıoğlu in a softly focused, grainy monochrome portrait.
STM 274

Koray Kantarcıoğlu

Koray Kantarcıoğlu explores the Turkish experimental underground through tape loops, hazy electronics and unreleased work, revealing the scene’s close connections and quietly distinctive textures.

Lyra Valenza performing with a laptop and electronic instruments in a hazy room.
STM 273

Lyra Valenza

Lyra Valenza opens a window onto its Danish musical community, connecting forthcoming tracks and unreleased experiments with the duo’s own restless, rhythmically fluid electronics.

Paulie Jan’s face emerging diagonally from deep shadow in a monochrome close-up.
STM 272

Paulie Jan

Paulie Jan takes the long route through ambient, musique concrète and experimental electronics, shaping more than two hours of music into an intricate, slowly unfolding journey.

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