Fanny Kaplan
Fanny Kaplan connect Russian underground recordings with early avant-garde experiments, drawing a tense line through industrial rhythms, fractured songs and voices from another century.
Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Fanny Kaplan connect Russian underground recordings with early avant-garde experiments, drawing a tense line through industrial rhythms, fractured songs and voices from another century.
Constantine brings medieval music, field recordings and contemporary electronics into a dark, contemplative continuum, following the uneasy spaces between displacement, memory and belonging.
Matas Aerobica and Oscar Olias trace the festival’s DIY spirit through twenty-three selections, moving between outsider electronics, psychedelic rock, folk and drone, with rare and unreleased work along the way.
Yuji Kondo opens his personal record collection to reveal free-form experiments, field recordings and shadowy songs, finding unexpected connections beyond the pressure of his club productions.
Eli Keszler follows the rhythmic imagination of jazz, reggae and traditional recordings, building a patient, richly textured selection that reveals another perspective on his work as a percussionist.
Ricardo Gomez y De Buck assembles a four-hour labyrinth of overlapping recordings, film dialogue and electronic fragments, turning two years of work into a densely layered listening journey.
Paper Dollhouse drift between haunted melodies, ambient spaces and distant rave memories, threading their own MoonDome recordings through a luminous, dreamlike selection.
Yen Towers connects fractured bass music, abstract electronics and weightless melodies, tracing a fluid path through contemporary underground sounds with a sharp ear for tension and space.
CVN brings together new Japanese voices, exclusive pieces and distorted pop fragments, connecting his own recordings with a restless network of contemporary electronic experiments.
WSR moves between strings, voices and resonant spaces, weaving his own recordings, intimate field recordings and kindred compositions into a deeply personal, carefully layered mix.
TWINS shifts between outsider pop, industrial textures and dark dance-floor impulses, building a personal selection in which raw emotion and playful electronic invention remain closely entwined.
Fabio Perletta pays tribute to Japanese experimental music, connecting delicate acoustic gestures, field recordings and electronic detail in an attentive collage of 37 selections.