Golders Green
Greek composition and contemporary sound experiments meet across thirteen records, connecting Xenakis and Christou with improvised textures, field recordings and fractured electronics from the Athens underground.
Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Greek composition and contemporary sound experiments meet across thirteen records, connecting Xenakis and Christou with improvised textures, field recordings and fractured electronics from the Athens underground.
A survey of Editions Mego and its offshoots sets abrasive synthesis against melodic patterns, noise and ritual song, gathering sixteen releases into a portrait of the label’s restless musical direction in 2012.
Dub, acid and ambient records dissolve into exclusive edits and improvisations, threaded with Stockholm rain and Bergman dialogue. Analog delay gives the shifting collage a continuous sense of depth and motion.
Venetian folk records frame a journey through ambient drift, field recordings and slow harmonic change, tracing connections between Italian sound artists and the wintry landscapes that shape their listening.
Twenty vinyl records connect the shadowed edges of post-punk, industrial and synth-pop, with submerged rhythms, frayed guitars and spectral voices drawing a line from early eighties experiments to 2012.
Seventy-eight unreleased works from 2000–2012 form a continuous live set, where fractured rhythms, distorted melodies and microscopic sound events keep shifting the depth and shape of the surrounding space.
Eighteen records bring avant-garde composition, folk song and domestic sound into uneasy proximity, letting spoken voices, stray instrumental gestures and worn recording textures suggest unexpected connections.
Thirty-four pieces unfold as a cinematic collage of ambient, techno and unreleased experiments, with rain, spoken lectures and film dialogue threading through the transitions between suspended melody and pulse.
Thirty-four solo performances become an imaginary ensemble, with strings, reeds, percussion and spoken fragments meticulously layered into a cinematic montage shaped by theatre and the art of sampling.
Scanner builds a cinematic collage around the letter A, interweaving twenty-nine record cuts with film dialogue, scanned conversations and broadcast fragments. His own works meet Aphex Twin, Tim Hecker and Alva Noto in a densely layered exploration of sound and narrative.
36 moves from ambient stillness into the submerged pulse of dub techno, threading twenty records into an autumnal audio collage. Two of his own compositions meet Biosphere, Tim Hecker, Deepchord and Burial in a deeply emotional, continuously unfolding sequence.
Spoken fragments and transformed field recordings pass through shadowy ambience and industrial percussion, as a semi-live collaboration draws theatre, poetry and techno into one densely layered composition.