Aaron Martin
Fifteen personal recordings bring cello, looping and delicate electronic processing into one unfolding sequence, gathering remixes, unreleased pieces and live performances around the grain of acoustic sound.
Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Fifteen personal recordings bring cello, looping and delicate electronic processing into one unfolding sequence, gathering remixes, unreleased pieces and live performances around the grain of acoustic sound.
Machinefabriek lets eight compositions unfold in full, finding a shared stillness in spacious drones, field recordings and blurred melodic detail. Brian Eno, Steve Roden and Jim O’Rourke enter an unhurried, deeply attentive listening space.
Mike Shiflet traces thirteen years of noise and experimental music in chronological order. Kevin Drumm, Fennesz, Jason Kahn and Prurient form a carefully shaped progression of tone, texture and emotional intensity.
Pillowdiver steps away from his own ambient practice to revisit the guitars and voices of the 1990s. Twelve selections connect shoegaze, post-rock and indie music through a patiently sustained emotional thread.
DJ Ilmajaam compresses twenty-nine discoveries into a fast-moving, cinematic sequence. Biosphere, Library Tapes, Gimmik and Deaf Center trace the Tallinn selector’s broad musical world through intimate melodies and restless electronic detail.
Talvihorros brings seventeen records into a cinematic sequence of drifting atmospheres, voices and submerged rhythms. Two of his own compositions sit among Demdike Stare, Neil Young, Colleen and Edgard Varèse, revealing a wide and quietly connected musical world.
Grant Evans, also known as Nova Scotian Arms, gathers ten drone and ambient works into a slow-moving landscape of tape rustle, noisy horizons and quietly returning melodic detail.
Dale Lloyd brings together ancient musical traditions, film scores and electronic experimentation. Sixteen vivid selections unfold as a patient cinematic journey, drawing connections across countries, eras and ways of listening.
Anders Ilar opens his private library of experimental dance music, bringing early industrial records, distorted rhythms and glitched electronics into one restless, precisely mixed sequence.
Leonardo Rosado traces a quiet path through ambient textures, intimate voices and restless strings: nine selections that move from cinematic stillness to an unsettled, tender close.
Lawrence English connects seventeen records without settling into a single musical language. Archaic traditions, unstable rhythms, intimate voices and guitar-driven intensity form a kaleidoscopic map of the Room40 founder’s listening.
Pimmon draws on three decades of experimental listening, joining Australian underground discoveries with fractured electronics and intimate home-made recordings. Fifteen pieces form a deliberately unruly journey through resonance, distortion and unexpected connections.