Rrose
Rrose connects experimental composition and electronic music in a mix that unfolds like one sustained work. Sweeping tones, unstable rhythms and recurring pieces reshape the listener’s sense of space.
S13 / Audio transmissions
Mixes
Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Mixes archive
265–276 of 333 mixes 
Ontal
A collage drawn from vinyl, CD, cassette and digital sources traces the links between industrial noise, fractured techno and ambient space, layering 59 records into an evolving rhythmic architecture.
Emptyset
Cinematic atmosphere gives way to low-end pressure as architectural recordings, analogue noise and fractured rhythms overlap, connecting 25 works by peers and collaborators into a shifting soundscape.
Svarte Greiner
Live instrumentation, field recordings and unstable percussion dissolve into a continuous nocturnal drift, bringing private recordings and forthcoming Miasmah material into contact with enduring influences.
Damian Marhulets
Damian Marhulets turns 56 fragments into a dreamlike, non-linear narrative: experimental turntablism, electroacoustic music and unexpected humour open onto a world of shifting identities.
Uhuruku
Uhuruku builds a personal journey through industrial rhythms, dub and psychedelic terrain, layering records from his collection into music for restless wanderers.
Haubrecht Gumpmann
Haubrecht Gumpmann trusts two turntables, intuition and the unruly possibilities of jazz, threading spiritual and improvised records into a spontaneous, deeply human journey.
Nikodem Langfuhr
Nikodem Langfuhr’s Ballet of Violence finds the mischievous, alluring side of darkness in a selection that moves freely between drone, post-punk and uneasy songcraft.
Alan Dunn
Alan Dunn layers 55 works around silence, water, revolution, grey, catastrophe, background and numbers: a one-hour soundtrack intended for listening in motion.
Yaporigami
Seven then-unreleased productions thread through a live-recorded selection of fractured techno, where micro-sampling, rolling percussion and precise transitions connect personal experiments with club records.
Andrea Parker
Two hours connect musique concrète, hip-hop and shadowy electronics, with Daphne Oram reworkings and Touchin’ Bass connections threading through a restless sequence of 51 records, voices and cinematic fragments.
Locust
Treated guitars, dreamlike vocals and analogue electronics connect 25 records across industrial music, psychedelia and ambient, tracing a patient passage from uneasy introspection to the pull of nostalgia.