Phase Fatale
Phase Fatale slows the pulse to explore dark italo, EBM, goth rock and industrial electronics, tying decades of influences together through brooding atmospheres and a precise, steadily intensifying groove.
Long-form selections from artists working at the edges of electronic, experimental and underground sound.
Phase Fatale slows the pulse to explore dark italo, EBM, goth rock and industrial electronics, tying decades of influences together through brooding atmospheres and a precise, steadily intensifying groove.
Celldöd explores punk as an attitude rather than a genre, moving between EBM, minimal synth, new wave and raw guitars in a restless selection held together by grit and creative independence.
Huren opens his emotional, cosmic and occult world through dirty punk, industrial experiments and unlikely juxtapositions, including an unreleased Detroit performance from the mid-1990s and a taste for unpolished gems.
ANFS connects industrial music’s past, present and future in We Shall Go Out As We Came In: a slow-burning collage of 42 selections, personal influences, edits and then-forthcoming material.
Nina traces the darker edges of ambient music through 19 selections, connecting physical textures, acoustic experiments and microscopic shifts into a patient, immersive stream of sound.
Silvia Kastel balances digital synthesis, organic percussion and fractured rhythms, bringing Japanese composers into conversation with contemporary experiments in a vivid study of tension and release.
Emil Amos and Alex Hall of Grails weave older outsider sounds and contemporary discoveries into a tender, retro-futuristic collage of ambient music, art rock and private musical worlds.
Avant! founder Andrea Napoli connects darkwave, minimal synth, EBM and abrasive punk, moving between the label’s own artists and kindred underground voices with a restless, deeply personal energy.
Rita Mikhael, aka E-Saggila of Summer Isle, delivers a deep and heavy mix of techno, hardcore and shadowy electronic gems, moving from abrasive rhythmic pressure towards slower, bass-heavy depths.
Lithuanian dub-techno and ambient producer Sraunus unfolds a cinematic collage of field recordings, delicate melodies and hazy electronics, drifting between blissful brightness and intimate, noirish memories.
Sote reshapes two decades of his own compositions into Enhanced Iranian Traditional Soundscapes and Mutant Persian Folk Music, joining Persian acoustic instruments with intricate electronic synthesis.
Eva Geist explores water through experimental, ambient, new age and library music, shaping 23 selections into a meditative collage of nocturnal stillness, fluid rhythms and shimmering imaginary landscapes.